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TAR BOOK

BY MARGUERITE HUMEAU

THE THINGS

TAR

presents

TAR

 

'"TAR is a tremendous flight of fantasy for those who need to plan a way to escape from this planet or to save it."

@TarMagTwits

2014 November Places

THIN CITY GOT UMBRELLA

Hong-Kong: Art, Design and Innovation

 

A TAR:TRANSCENDENCE SPECIAL BY VENUS CHUNG

Search the word Umbrella Revolution on the web, and you will find it yields thousands of results. “Umbrella” certainly has been the most pressing word for Hong Kong and for the Chinese Government lately.

 

And now imagine something that does not exist yet. A Multipurpose Unbreakable Umbrella, for instance. This is what I am working on right now: an affordable umbrella that will stand against teargas, with flexible rebound features to disperse pepper spray, and with toxic-chemical-resistant fabric. It could be practical during typhoon season, and could have international buyers.

 

Anyway, on 28 September 2014, there where a lot of broken umbrellas, ripped open by the police. Students and citizens were fighting with their bare arms against the pepper-spray, and tear gas bombs were dropped on the protesters by the police. The only protection tools available were food plastic wrap and umbrellas. The latter was preposterously described by the police as a kind of weapon. Overnight, umbrellas transformed from a household item into a symbol of defiance.

 

The protest had begun because the future candidates for the position of Hong Kong’s Chief Executive will need to be pre-screened and approved by the Chinese mainland Government’s. This has been announced in August. Students began to boycotts classes, and teachers boycotted their lectures. A rally on September 27 made a bold point to the  Beijing Government: HK citizens would accept no unfair political reform.

 

Courtesy Sean Lee Davies. All rights reserved

A street installation criticizing the behaviour of the HK Police. The face of the city head officer, C.Y: Leung is superimposed on an iconic portrait of Mao. The writings on the stick says: “the stick has no choice, but the police as humans can choose”.

Photo by Venus Chung

 

The head officer of Hong Kong, C.Y. Leung - also known as “Sly Wolf” - refused to negotiate with the students. Around 4.000 protesters then surrounded the government complex. When one of the student leaders, 17 years old Joshua Wong, crossed the border set by the police, he and others with him received a treatment of pepper spray and physical violence, then got arrested. A great number of citizens came out to protect the students in return. The crowd of supporters demanded the release of the arrested, crying out "Students are no guilty for any crime.” I saw parents and teachers beg and kneel in front of the police. The protests have been declared illegal by the police.

The protesters around the government complex

Photo by Venus Chung

 

 

Clashes between protesters and the police

Photo by Unknown

 

 

 

Courtesy Ar To. All rights reserved

 

 

 

The protesters, identified by yellow ribbons, were calm and rational. Some activists have requested C.Y. Leung to step down for incompetence. But no single party can claim ownership on the protest. No one can represent the Hong Kongers, except the citizens ourselves.

 

The two latest covers of Time Magazine Asia included two of the key figures of the pro-democracy movement of Hong Kong, media entrepreneur Jimmy Lai Chee-Ying and  student Joshua Wong. But there are other protesters who choose a more reclusive approach. They are keyboard fighters. Multimedia art has been used as a medium to raise awareness among citizens and international media, and in order to create a “safe platform” for participant protection.

Kacey Wong, a veteran local artist and lecturer, launched a mock online competition for the best Umbrella Movement logo design. The top three prizes for the contest were “Justice, Democracy, and Freedom.” In an interview to the BBC, Wong said “never underestimate art, it will mobilise your emotion, as somebody speaks out the problem to you."

 

Probably strategies like that of Wong benefit from lessons learned after the most recent TV broadcasting license bid that took place in Hong Kong. HKTV, formally known as the Hong Kong Television Network, had their license application rejected by the Hong Kong Government, ini october 2013. Two other television operators were competing for the license. The government gave no reasonable explanation despite an HKTV entrepreneur disclosed that he had been asked by a government official to join the bidding process in 2009. HKTV’s free trial programme on youtube received positive acclaims and high viewing rate from thousands of viewers. Its facebook page has more than 239.000 likes. The rejection from the Government created strong outcry among the general public.

Why did this all happen? The core values of HKTV are "We lead the development of the industry” and "We are the people's leaders and pioneers.” They had embraces freedom of thought and speech, while the other tv channels have been self-censoring their programmes along safe political lines.

 

The Umbrella Movement visual campaign has received lots of support. A local illustrator like Cuson Lo has been drawing sarcastic political comics

 

Courtesy Cuson Lo. All rights reserved

 

 

 

“The Chinese general asks Jesus why he’s joining the protest. Jesus replies, “the chief secretary is acting like an ostrich” (refusing to face unpleasant truths)

Courtesy Cuson Lo. All rights reserved

 

 

The graphic designer Ar To, also born and raised in Hong Kong, joined in the protests with his own style cartoons, inspired by Pieter Bruegel.

 

The New York based illustrator Yuko Shimizu and the Australian artist Jeremyville dedicated beautifully executed and strong conceptual works to the Umbrella Movement. Local stars and indie bands have also taken part in the protests from the start.

 

But the pro-democracy citizens themselves have left their marks by intentionally creating visual signs all around the city. This is a recurring behaviour among the Hong Kong people, as witnessed by the “Neon Signs HK” exhibition produced earlier in March by the M+Museum, which is interested in acquiring examples of neon signs from Hong Kong’s street, that may not survive for long.

 

“In the context of Hong Kong - writes M+ curator Aric Chen - neon signs are thus especially hard to ignore. In their own right, they play the communicative role of typography, illustration and graphic design, being as enabled and constrained by their technological medium as the book is by the printing press, or a digital design is by its software. “

 

Photos by Venus CHung

Likewise the protest signs that flourished during the Umbrella Movement visualized the citizens’ messages through a great variety of forms and media. From text and illustration on signs with bold brush stroke, to folding Umbrella-shaped origami; from an “umbrella freedom goddess sculpture” to hanging quoted poems and lyrics; from drawing with chalks on the main roads, to illuminated mobile phone screens.

The streets have become a living room. Some protestors only slept nine hours during the whole first week. Generous citizens sent folding beds or hammocks to rest under the bridge. The protesters also constructed a co-working study room in the mid-road of the occupied area. Citizens have successfully redefined the public rules.

 

In some cases, these signs have been spectacular. Like the “Bamboo Bulwark”, a bamboo scaffolding - which is an ancient building technique in China - designed to protect an encampment of pro-democracy student protesters.

 

Courtesy Jason Y Ng

Courtesy Jason Y Ng

Lau Yuen King Joey of CreamArt Limited detached a broken umbrella frame, and reused the fabric to design a cushion for environmental and social purpose. The product - "Umbrella Gathering" - is intended to benefit the protesters who stand and sit on the road to demand universal suffrage. This object was awarded a prize aduring the “Design for Well-Being Award”, a 10 days festival at Hong Kong Polytechnical University.

 

Hong Kong has long been teased as a "cultural desert” for its low interest in art  - except for its investment value. This “Umbrella Movement Street Gallery" proves the charge was invalid. Participants with all walks of life, regardless of age, gender, profession and belief, have been the exhibiting artists. The protests are over now. One day, true freedom and democracy will be accessible as an umbrella to us.

 

 

This web page is based on the TRANSCENDENCE concept as published in TAR BOOK Fall/Winter edition 2014.

Please file under #TAR #TRANSCENDENCE

 

TAR:TRANSCENDENCE BOOK featuring:

David Lynch,  Giampiero Bodino, Donatella Bollani, Samir Bhomick, Prudence Farrow Bruns , Lee Bul, Will Buckingham, Laura Byrne, Serenella and David Ciclitira, Adeline de Monseignat, Donovan, Jack Doyle, Hamish Fulton, Yang Fudong, Kendell Geers, Ralph Gibson, Massimo Grimaldi, Zaha Hadid, John Hagelin, Michael Heizer, Hugh Jackman, Mikal Maku, Gabriel Mejia, Glasshouse / Lital Dotan & Eyal Perry, Fabiola Naldi, Floris Neususs,  Glexis Novoa, Sherman Ong, Peeping Tom, Luca Pozzi, Thomas Roma , Norman D. Rosenthal,  Carlo Rovelli, Chiharu Shiota,  Canan Tolon, Greg Thatcher.

 

TAR BOOK  is available in Best Book-Shops  around the world.

 

TAR is the sticky stuff we pave our roads and build our roofs with.

It affords us travel and shelters us from the storm. It is also an anagram of the word art.

The editorial staff have taken every care to obtain from copyright holders the authorization to publish the pictures in this issue. In any cases where this has not been possible, the editorial staff would like to make it known that they are available to eligible parties to settle any amounts that are owed.

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TAR magazine digital edition  wishes to thanks

 

effimera F O N D A Z I O N E maison d'art numérique